LECTURE AS PERFORMANCE, PERFORMANCE AS LECTURE - ON THE PRODUCTION OF KNOWLEDGE IN THE ARTS
LEYKAM INTERNATIONAL (2019)
Despite its popularity on the contemporary art scene, the lecture performance remains a chronically neglected phenomenon in theory worldwide, calling for contemporary interpretations and readings. This book is therefore an important contribution to the conceptualisation of a genre that operates at the boundary between artistic and academic practice, and between performance and theory, revealing some of the fault lines in these fields.
- While I am Walking - what performance art can teach us about how and why we walk, Ad hocK week dedicated to performance art, KSEK, Mama Zagreb (2023)
- Who, in fact, is a dramaturge? Critical Practice (Made in Yu) (2021)
- A Dramaturg Who Cannot Google is no Dramaturg, On the Correspondences between Education, Mediation and Dramaturgy, part of the Dramaturgy and Choreography – A workshop series hosted by Kirsten Maar and Mila Pavićević, Freie Universität Berlin (2021)
- Turn me on Goddammit! or Neither Saint nor Whore, Creative Critical Laboratory: Why Feminism?, extracurricular educational module, Academy of Dramatic Art & Centre for Women’s Studies, Zagreb (2019)
- (Neo-)Avant-Garde Manifestos: The (Failed) Potential for Action, Curatorial Platform, Centar KNAP & Slobodne veze, Zagreb (2018)
- Spaces: (Un)sustainability, Interiors, Alternative Worlds, Kretanja, a journal of dance art, in collaboration with Critical Parkour and TALA Dance Centre (2022)
- How to Do Things with Context, Pogon Jedinstvo, Zagreb, Croatia (2021)
- Innovative Methodologies: International Art& Science Conference, Academy of Dramatic Art, Zagreb, Croatia (2019)
- Twelfth Annual Feminist Theory Workshop, The Program in Gender, Sexuality and Feminist Studies at Duke University, Durham, USA (2018)
- Women Playwrights International, Santiago de Chile, Chile (2018)
- Theatre between politics and policies: new challenges, The Faculty of Dramatic Arts, Belgrade, Serbia (2018)
- The Apparitional Gay and the Invisible Everyone Else – LGBTQ+ Identities in Contemporary Croatian Playwriting, Na vzhod! LGBTQ+ književnost v vzhodni Evropi [Eastwards! LGBTQ+ Literature in Eastern Europe], Zavrl, A. & Zupan Sosič, A. (eds.). Ljubljana: University of Ljubljana, Faculty of Arts (2020)
- Ritual Aspects of the Youth Day Celebration in Yugoslavia, Apparatus. Film, Media and Digital Cultures of Central and Eastern Europe 11 (2020)
- Linguistics, Poetics, Theatre and Drama, Zbornik Akademije umetnosti [Proceedings of the Academy of Arts] 7, Novi Sad (2019)
- Dramaturgy, What a Queer Thing to Do!, The Practice of Dramaturgy: Working on Actions in Performance, Georgelou, K., Protopapa, E. & Theodoridou, D. (eds.). Amsterdam: Valiz (2016)
- The Representation of Self on Facebook, Libra Libera 41, Zagreb (2017)
- In the Praise of Transcribing, Zarez 424/425, Zagreb (2016)
- Constant invisibility, Kulturne veze na Balkanu [Cultural Relations in the Balkans], Mišković, Davor (ed.). Rijeka: Drugo More (2016) (with Vedrana Klepica)
- What is a Dramaturg, Anyway?, Frakcija 70/71, Zagreb (2017)
- High hopes, Performing Politics, Politisch Kunst machen nach dem 20. Jahrhundert, edited by Nikolaus Müller-Schöll, André Schallenberg and Mayte Zimmermann, Theater der Zeit (with Reinhard Strobl)
- Processuality, Eventfulness, Relationality and Openness: Action Exhibitions of the Group of Six Authors, Zarez, Zagreb (2008)