{"id":276,"date":"2021-09-12T08:22:56","date_gmt":"2021-09-12T08:22:56","guid":{"rendered":"https:\/\/jasnajasnazmak.net\/?page_id=276"},"modified":"2026-10-03T21:20:29","modified_gmt":"2026-10-03T21:20:29","slug":"teorija","status":"publish","type":"page","link":"https:\/\/jasnajasnazmak.net\/en\/teorija\/","title":{"rendered":"theory"},"content":{"rendered":"\n<style>\n.archive-jump-navigation{gap:.5rem!important;margin-top:0;margin-bottom:24px;}\n.archive-jump-navigation .wp-block-button{margin:0;max-width:100%;}\n.archive-jump-navigation .wp-block-button__link{font-size:var(--button--font-size,20px)!important;line-height:var(--button--line-height,1.5)!important;padding:var(--button--padding-vertical,15px) var(--button--padding-horizontal,30px)!important;white-space:normal;text-align:left;}\n.entry-content [id^=\"arhiv-\"]{scroll-margin-top:5rem;}\n<\/style>\n\n\n\n<div class=\"wp-block-buttons alignwide archive-jump-navigation is-layout-flex wp-block-buttons-is-layout-flex\">\n\n<div class=\"wp-block-button is-style-fill\"><a class=\"wp-block-button__link wp-element-button\" href=\"#arhiv-knjiga\">KNJIGA<\/a><\/div>\n\n\n<div class=\"wp-block-button is-style-fill\"><a class=\"wp-block-button__link wp-element-button\" href=\"#arhiv-predavanja\">PREDAVANJA<\/a><\/div>\n\n\n<div class=\"wp-block-button is-style-fill\"><a class=\"wp-block-button__link wp-element-button\" href=\"#arhiv-konferencije\">KONFERENCIJE<\/a><\/div>\n\n\n<div class=\"wp-block-button is-style-fill\"><a class=\"wp-block-button__link wp-element-button\" href=\"#arhiv-tekstovi\">TEKSTOVI<\/a><\/div>\n\n<\/div>\n\n\n\n<div class=\"wp-block-group alignwide\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<div class=\"wp-block-columns alignwide is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div id=\"arhiv-knjiga\" class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button is-style-fill\"><a class=\"wp-block-button__link wp-element-button\">KNJIGA<\/a><\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/mvinfo.hr\/knjiga\/12981\/predavanje-kao-izvedba-izvedba-kao-predavanje-o-proizvodnji-znanja-u-umjetnosti\"><img loading=\"lazy\" decoding=\"async\" width=\"529\" height=\"727\" src=\"https:\/\/jasnajasnazmak.net\/wp-content\/uploads\/2021\/09\/Predavanje-kao-izvedba-naslovnica.png\" alt=\"\" class=\"wp-image-74\" srcset=\"https:\/\/jasnajasnazmak.net\/wp-content\/uploads\/2021\/09\/Predavanje-kao-izvedba-naslovnica.png 529w, https:\/\/jasnajasnazmak.net\/wp-content\/uploads\/2021\/09\/Predavanje-kao-izvedba-naslovnica-218x300.png 218w\" sizes=\"auto, (max-width: 529px) 100vw, 529px\" \/><\/a><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/mvinfo.hr\/knjiga\/12981\/predavanje-kao-izvedba-izvedba-kao-predavanje-o-proizvodnji-znanja-u-umjetnosti\" target=\"_blank\" rel=\"noreferrer noopener\">PREDAVANJE KAO IZVEDBA, IZVEDBA KAO PREDAVANJE &#8211; O PROIZVODNJI ZNANJA U UMJETNOSTI<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">LEYKAM INTERNATIONAL (2019)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Usprkos njegovoj popularnosti na suvremenoj umjetni\u010dkoj sceni, format izvedbenog predavanja i u globalnom je smislu kroni\u010dno teorijski zanemaren fenomen koji vapi za aktualnim interpretacijama i \u010ditanjima. Ova je knjiga stoga va\u017ean doprinos konceptualizaciji \u017eanra koji operira na granici umjetni\u010dkog i akademskog odnosno izvedbenog i teorijskog polja te kroz svoje funkcioniranje ukazuje na neke od neuralgi\u010dnih to\u010daka navedenih domena.<\/em><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns alignwide is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-group alignwide\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<div class=\"wp-block-columns alignwide is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div id=\"arhiv-predavanja\" class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button is-style-fill\"><a class=\"wp-block-button__link wp-element-button\">PREDAVANJA<\/a><\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-cover is-light\"><img loading=\"lazy\" decoding=\"async\" width=\"760\" height=\"563\" class=\"wp-block-cover__image-background wp-image-277\" alt=\"\" src=\"https:\/\/jasnajasnazmak.net\/wp-content\/uploads\/2021\/09\/Screen-Shot-2021-09-12-at-10.15.49.png\" style=\"object-position:18% 70%\" data-object-fit=\"cover\" data-object-position=\"18% 70%\" srcset=\"https:\/\/jasnajasnazmak.net\/wp-content\/uploads\/2021\/09\/Screen-Shot-2021-09-12-at-10.15.49.png 760w, https:\/\/jasnajasnazmak.net\/wp-content\/uploads\/2021\/09\/Screen-Shot-2021-09-12-at-10.15.49-300x222.png 300w\" sizes=\"auto, (max-width: 760px) 100vw, 760px\" \/><span aria-hidden=\"true\" class=\"wp-block-cover__background has-background-dim-0 has-background-dim\"><\/span><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<p class=\"has-text-align-left has-purple-background-color has-background has-large-font-size wp-block-paragraph\" style=\"line-height:1.2\"><strong><a href=\"https:\/\/www.facebook.com\/watch\/live\/?v=3115868175102667&amp;ref=watch_permalink\" target=\"_blank\" rel=\"noreferrer noopener\">Vox Feminae festival:<\/a><\/strong><\/p>\n\n\n\n<p class=\"has-text-align-left has-purple-background-color has-background has-large-font-size wp-block-paragraph\" style=\"line-height:1.2\"><strong><a href=\"https:\/\/www.facebook.com\/watch\/live\/?v=3115868175102667&amp;ref=watch_permalink\" target=\"_blank\" rel=\"noreferrer noopener\">Stra\u0161ne lezbe (2020)<\/a><\/strong><\/p>\n<\/div><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-cover\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"336\" class=\"wp-block-cover__image-background wp-image-555\" alt=\"\" src=\"https:\/\/jasnajasnazmak.net\/wp-content\/uploads\/2021\/09\/turn-me-on.jpg\" data-object-fit=\"cover\" srcset=\"https:\/\/jasnajasnazmak.net\/wp-content\/uploads\/2021\/09\/turn-me-on.jpg 640w, https:\/\/jasnajasnazmak.net\/wp-content\/uploads\/2021\/09\/turn-me-on-300x158.jpg 300w, https:\/\/jasnajasnazmak.net\/wp-content\/uploads\/2021\/09\/turn-me-on-18x9.jpg 18w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><span aria-hidden=\"true\" class=\"wp-block-cover__background has-background-dim-0 has-background-dim\"><\/span><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<p class=\"has-text-align-left has-purple-background-color has-background has-large-font-size wp-block-paragraph\" style=\"line-height:1.2\"><strong><a href=\"https:\/\/www.art-kino.org\/hr\/filmovi\/turn-me-goddammit\" target=\"_blank\" rel=\"noreferrer noopener\">Kino u\u010dionica:<\/a><\/strong><\/p>\n\n\n\n<p class=\"has-purple-background-color has-background has-large-font-size wp-block-paragraph\" style=\"line-height:1.2\"><meta charset=\"utf-8\"><a href=\"https:\/\/www.art-kino.org\/hr\/filmovi\/turn-me-goddammit\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Turn me on Goddammit! ili ni svetica ni kurva (2020)<\/strong><\/a><\/p>\n<\/div><\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-group alignwide\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<div class=\"wp-block-columns alignwide is-style-default is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-columns is-style-default is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<ul class=\"wp-block-list\">\n<li><strong><em>Kada hodam &#8211; \u0161to nam umjetnost performansa otkriva o tome za\u0161to i kako hodamo<\/em><\/strong>, <a href=\"https:\/\/mi2.hr\/2023\/03\/ad-hock-tjedan-posvecen-umjetnosti-performansa\/\">Ad hocK tjedan posve\u0107en umjetnosti performansa<\/a>, KSEK, Mama Zagreb (2023)<\/li>\n\n\n\n<li><strong><em>Who, in fact, is a dramaturge? <\/em><\/strong><a href=\"https:\/\/criticalpractice-madeinyu.dancestation.org\/2021\/12\/08\/critical-practice-made-in-yu-seminar-2021\/\" target=\"_blank\" rel=\"noreferrer noopener\"><em>Critical Practice (Made in Yu<\/em>)<\/a> (2021)<\/li>\n\n\n\n<li><strong>A Dramaturg Who Cannot Google is no Dramaturg<\/strong>, <em>On the Correspondences between Education, Mediation and Dramaturgy<\/em>, part of the Dramaturgy and Choreography \u2013 A workshop series hosted by Kirsten Maar and Mila Pavi\u0107evi\u0107, Freie Universit\u00e4t Berlin (2021)<\/li>\n\n\n\n<li><strong>Turn me on Goddammit! ili ni svetica ni kurva<\/strong>, <em><a href=\"http:\/\/zenstud.hr\/wp-content\/uploads\/2019\/03\/ADU-zasto-feminizam-2019.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Kreativni kriti\u010dki laboratorij: Za\u0161to feminizam?<\/a><\/em>, izvannastavni obrazovni modul, <a href=\"https:\/\/www.adu.hr\/\" target=\"_blank\" rel=\"noreferrer noopener\">Akademija dramske umjetnosti<\/a> &amp; <a href=\"https:\/\/zenstud.hr\/\" target=\"_blank\" rel=\"noreferrer noopener\">Centar za \u017eenske studije<\/a>, Zagreb (2019)<\/li>\n\n\n\n<li><strong>(Neo)avangardni manifesti \u2013 (propali) potencijal akcije<\/strong>, <a href=\"https:\/\/slobodneveze.wordpress.com\/2018\/04\/09\/curatorial-platform-no-10_-open-call\/\" target=\"_blank\" rel=\"noreferrer noopener\">Kustoska platforma<\/a>, <a href=\"https:\/\/www.knap.hr\/\" target=\"_blank\" rel=\"noreferrer noopener\">Centar KNAP<\/a> &amp; <a href=\"https:\/\/slobodneveze.wordpress.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">Slobodne veze<\/a>, Zagreb (2018)<\/li>\n<\/ul>\n\n\n\n<div id=\"arhiv-konferencije\" class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link wp-element-button\">KONFERENCIJE<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns alignwide is-style-default is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-columns is-style-default is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<ul class=\"wp-block-list\">\n<li><strong><strong><em><a href=\"https:\/\/hciti.hr\/izvedbeni-interdisciplinarni-simpozij-prostori-ne-odrzivost-nutrine-alternativni-svjetovi-17-18-09-2022\/\" target=\"_blank\" rel=\"noreferrer noopener\">Prostori (ne\/odr\u017eivost, nutrine, alternativni svjetovi)<\/a><\/em><\/strong><\/strong>, \u010dasopis za plesnu umjetnost Kretanja u suradnji s Kriti\u010dkim parkourom i Plesnim centrom TALA (2022)<\/li>\n\n\n\n<li><strong><strong><em><a href=\"https:\/\/feedback.facebook.com\/events\/235573335292062\/\" target=\"_blank\" rel=\"noreferrer noopener\">How to Do Things with Context<\/a><\/em><\/strong><\/strong>, Pogon Jedinstvo, Zagreb, Hrvatska (2021)<\/li>\n\n\n\n<li><strong><em><a href=\"http:\/\/www.sibilapetlevski.com\/Art_&amp;_Science_Conferences_and_Invited_lecturers_files\/BOOK%20OF%20ABSTRACTS.pdf\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Innovative Methodologies: International Art&amp; Science Conference<\/strong><\/a><\/em><\/strong>, Akademija dramske umjetnosti, Zagreb, Hrvatska (2019)<\/li>\n\n\n\n<li><strong><em><strong><a href=\"https:\/\/gendersexualityfeminist.duke.edu\/12th-annual-feminist-theory-workshop\" target=\"_blank\" rel=\"noreferrer noopener\">Twelfth Annual Feminist Theory Workshop<\/a><\/strong><\/em><\/strong>, The Program in Gender, Sexuality and Feminist Studies at Duke University, Durham, SAD (2018)<\/li>\n\n\n\n<li><a href=\"https:\/\/gam.cl\/es\/que-hacer-en-gam\/actividades\/wpi\/\" target=\"_blank\" rel=\"noreferrer noopener\"><strong><strong><em>Women Playwrights International<\/em><\/strong><\/strong><\/a>, Santiago de Chile, \u010cile (2018)<\/li>\n\n\n\n<li><strong style=\"font-family: var(--list--font-family); background-color: var(--global--color-background); color: var(--global--color-primary); font-size: var(--global--font-size-base);\"><em><strong><a href=\"https:\/\/www.facebook.com\/events\/fakultet-dramskih-umetnosti\/theatre-between-politics-and-policies-new-challenges\/232724743931511\/\" target=\"_blank\" rel=\"noreferrer noopener\">Theatre between politics and policies: new challenges<\/a><\/strong><\/em><\/strong><span style=\"font-family: var(--list--font-family); background-color: var(--global--color-background); color: var(--global--color-primary); font-size: var(--global--font-size-base);\">, Fakultet dramskih umetnosti, Beograd, Srbija (2018)<\/span><\/li>\n<\/ul>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns alignwide is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div id=\"arhiv-tekstovi\" class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button is-style-fill\"><a class=\"wp-block-button__link wp-element-button\">TEKSTOVI<\/a><\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h5 class=\"wp-block-heading\"><\/h5>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns alignwide is-style-default is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-columns is-style-default is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/ebooks.uni-lj.si\/ZalozbaUL\/catalog\/download\/197\/294\/5064?inline=1\" target=\"_blank\" rel=\"noreferrer noopener\"><strong><em>The Apparitional Gay and the Invisible Everyone Else \u2013 LGBTQ+ Identities in Contemporary Croatian Playwriting<\/em><\/strong><\/a>,<em> <\/em>Na vzhod! LGBTQ+ knji\u017eevnost v vzhodni Evropi, Zavrl, A. &amp; Zupan Sosi\u010d, A. (ur.). Ljubljana: Univerza v Ljubljani, Filozofska fakulteta (2020)<\/li>\n\n\n\n<li><strong><a href=\"https:\/\/www.apparatusjournal.net\/index.php\/apparatus\/article\/view\/243\/523\" target=\"_blank\" rel=\"noreferrer noopener\"><em>Ritualni aspekti sletova u SFRJ<\/em><\/a><\/strong>, Apparatus. Film, Media and Digital Cultures of Central and Eastern Europe 11 (2020)<\/li>\n\n\n\n<li><a href=\"https:\/\/scindeks-clanci.ceon.rs\/data\/pdf\/2334-8666\/2019\/2334-86661907147Q.pdf\" target=\"_blank\" rel=\"noreferrer noopener\"><strong><em>Lingvistika, poetika, kazali\u0161te i drama<\/em><\/strong><\/a>, Zbornik Akademije umetnosti 7, Novi Sad (2019)<\/li>\n\n\n\n<li><strong><a href=\"https:\/\/valiz.nl\/en\/publications\/the-practice-of-dramaturgy\" target=\"_blank\" rel=\"noreferrer noopener\"><em>Dramaturgy, What a Queer Thing to Do!<\/em><\/a><\/strong>, The Practice of Dramaturgy: Working on Actions in Performance, Georgelou, K., Protopapa, E. &amp; Theodoridou, D. (ur.). Amsterdam: Valiz (2016)<\/li>\n\n\n\n<li><strong><a href=\"https:\/\/issuu.com\/libralibera\/docs\/libra_41\" target=\"_blank\" rel=\"noreferrer noopener\"><em>The Representation of Self on Facebook ili reprezentacija sebe na Facebooku<\/em><\/a><\/strong>, Libra Libera 41, Zagreb (2017)<\/li>\n\n\n\n<li><a href=\"http:\/\/zarez.hr\/clanci\/u-pohvalu-prepisivanju\" target=\"_blank\" rel=\"noreferrer noopener\"><strong><em>U pohvalu prepisivanju<\/em><\/strong><\/a>, Zarez 424\/425, Zagreb (2016)<\/li>\n\n\n\n<li><strong><a href=\"http:\/\/drugo-more.hr\/kulturne-veze-na-balkanu\/\" target=\"_blank\" rel=\"noreferrer noopener\"><em>Konstantna nevidljivost<\/em><\/a><\/strong>, Kulturne veze na Balkanu, Mi\u0161kovi\u0107, Davor (ur.). Rijeka: Drugo More (2016) (s Vedranom Klepicom)<\/li>\n\n\n\n<li><strong><a href=\"https:\/\/archive.org\/details\/Frakcija_70_71\" target=\"_blank\" rel=\"noreferrer noopener\"><em>Tko je uop\u0107e dramaturg?<\/em><\/a><\/strong>, Frakcija 70\/71, Zagreb (2017)<\/li>\n\n\n\n<li><strong><a href=\"https:\/\/www.theaterderzeit.de\/buch\/performing_politics\/\" target=\"_blank\" rel=\"noreferrer noopener\"><em>High hopes<\/em><\/a><\/strong>, Performing Politics, Politisch Kunst machen nach dem 20. Jahrhundert, ur. Nikolaus M\u00fcller-Sch\u00f6ll, Andr\u00e9 Schallenberg, Mayte Zimmermann, Theater der Zeit (sa: Reinhardom Stroblom)<\/li>\n\n\n\n<li><a href=\"http:\/\/zarez.hr\/clanci\/procesualnost-dogadajnost-relacionalnost-i-otvorenost\" target=\"_blank\" rel=\"noreferrer noopener\"><strong><em>Procesualnost, doga\u0111ajnost, relacionalnost i otvorenost &#8211; izlo\u017ebe akcije Grupe \u0161estorice autora<\/em><\/strong><\/a>, Zarez, Zagreb (2008)<\/li>\n<\/ul>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns alignwide is-style-default is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-columns is-style-default is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"wp-block-paragraph\"><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>PREDAVANJE KAO IZVEDBA, IZVEDBA KAO PREDAVANJE &#8211; O PROIZVODNJI ZNANJA U UMJETNOSTI LEYKAM INTERNATIONAL (2019) Usprkos njegovoj popularnosti na suvremenoj umjetni\u010dkoj sceni, format izvedbenog predavanja i u globalnom je smislu kroni\u010dno teorijski zanemaren fenomen koji vapi za aktualnim interpretacijama i \u010ditanjima. Ova je knjiga stoga va\u017ean doprinos konceptualizaciji \u017eanra koji operira na granici umjetni\u010dkog i&hellip; <a class=\"more-link\" href=\"https:\/\/jasnajasnazmak.net\/en\/teorija\/\">Continue reading <span class=\"screen-reader-text\">theory<\/span><\/a><\/p>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-276","page","type-page","status-publish","hentry","entry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>teorija - jasna jasna \u017emak<\/title>\n<meta name=\"description\" content=\"Jasna Jasna \u017dmak radi kao dramaturginja, spisateljica, istra\u017eiva\u010dica i savjetodavna terapeutkinja. 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